With this interview, we begin a journey into the world of entertainment and the forces that are re-shaping what most of the world hires daily for recreation. We will talk to actors, writers, producers, distributors, and media execs. We’ll get perspective on what I expect will be a big year for television in 2012 and prepare for the new era to follow.
In this episode I talk to actor Hoon Lee about the challenges of disruption in the creative arts, and theater in particular.
5by5 | The Critical Path #15: The Theater of Disruption.
- Soon to be the voice of Master Splinter on the to-be-re-released Teenage Mutant Ninja Turtles TV series. More about Hoon here: IMDb.
- Read more here: Building identity – Hoon Lee: a black sheep because he was artistically inclined
Guessing the next Apple product has become the parlor game of choice for a whole generation of technology journalists and analysts. The premise of the game is that given a track record of breakthrough products, there is always another one just around the corner. Being the one to predict this next breakthrough product creates credibility and demonstrates the domain knowledge of the predictor. If the prediction fails to materialize there is consolation in dismissing the actual announced product as disappointing, unsophisticated or, worst of all, uninteresting.
Most often, these guesses are as much a reflection of the analyst as they are an analysis of the company. Too many predictions are designed to impress or demonstrate the imagination or knowledge of the predictor. They typically anticipate a giant leap of functionality, power or market re-structuring. They envision revolution not evolution; a cutting of the Gordian knot not a polishing of ugly rocks.
Yet nearly all of Apple’s launches have been sustaining improvements in existing products, technologies or platforms. To name just a few: